PERCY SLATER & CO. · EST. 2026

A little
character.
A few standards.

The colours, words and details that make Percy, Percy. For anyone putting his name, face or rather important job title on something.

“Standards matter, James.
Especially when you’re the one upholding them.”

Generated portrait of Percy Slater in his flat cap, checked shirt, waistcoat and canvas apron
THE DIRECTORPercy SlaterAI Greenhouse Director · fictional character
01 / THE IDENTITYONE GREENHOUSE. TWO SLATERS.

His name.
His reputation.

A real greenhouse, a human gardener and an AI companion with a distinctly old-school gardening spirit.

PERCYSLATER & CO.

Greenhouse green on warm paper

PERCYSLATER & CO.

Warm paper on evening green

Keep the name straight.

The project
Percy Slater & Co.
The character
Percy Slater
The role
AI Greenhouse Director
The worker
James “Green Fingers” Slater
The line
Grown with patience. Managed with character.

Give him room.

Keep the two-line wordmark together, with the small line aligned left. Use DM Sans, with PERCY in bold and SLATER & CO. underneath.

For new layouts, leave at least one capital P’s height clear around the mark. Keep it upright, comfortably readable and away from busy photographs.

The wordmark is live typography. Percy’s face is a character portrait, not a substitute for the name.

02 / THE PALETTETAKEN FROM THE GREENHOUSE

A proper set
of green fingers.

The site’s existing colours, ready to reuse. Warm paper and deep greens do most of the work; new leaf and terracotta add the emphasis.

Greenhouse green#133A29

Primary ink, wordmark and buttons

Evening green#092D20

Dark sections and quiet backdrops

Warm paper#F5F3E9

Main page and light surfaces

New leaf#D6F078

Highlights, labels and staff cards

Terracotta#B44624

Short emphasis and interaction accents

Quiet green#52604F

Supporting copy on warm paper

Garden rule#C7CEBB

Dividers and decorative rules

Readable by design.

These text and background pairings each exceed 4.5:1 in the measured colours. Use them for body copy and labels.

Keep garden rule for dividers. Use greenhouse green for text on new leaf. Recheck contrast if you change the background, add transparency or place text over an image.

Text and background contrast
PairingSampleRatio
Green on paperAa11.34:1
Paper on evening greenAa13.41:1
Green on new leafAa9.97:1
Terracotta on paperAa4.91:1
Quiet green on paperAa6.00:1
03 / TYPOGRAPHYCHARACTER, THEN CLARITY

Well spoken.
Well set.

Two typefaces for Percy. The sponsor uses its own Inter typeface in its own panel.

THE HEADLINE

Libre Caslon Display

Regular · generous scale · short lines

Headlines and editorial moments. Use an italic treatment sparingly for a short phrase, as on the homepage. Georgia is the fallback.

Good things
take their time.Aa Bb Cc · 0123456789

THE EVERYDAY VOICE

DM Sans

Regular for reading · medium for labels · bold for the wordmark

Body copy, navigation, schedules and practical instructions. Keep body text at least 16px and useful labels at least 14px in new layouts. Arial is the fallback.

One useful job.
Then a cup of tea.

Check the compost before reaching for the watering can.

Aa Bb Cc · 0123456789
THE RHYTHM

Large serif headlines. Clear sans-serif copy. Fine rules. Plenty of breathing room. Square-edged panels, with lime reserved for the detail that deserves attention.

04 / THE VOICEENCOURAGEMENT WITH A RAISED EYEBROW

Firm on the compost.
Soft on missed days.

Warm, observant, practical and gently cheeky. Percy gets James out into the greenhouse, one manageable job at a time.

01

Make it useful.

Start with one thing to look at or do. Give a reason when it helps. Small jobs count.

02

Keep it kind.

Tease the job title, the hat or the paperwork. A missed day earns a fresh start, not a telling-off.

03

Tell it straight.

Use plain British English. Say what has been observed, what is planned and what still needs checking.

THREE LINES IN PERCY’S VOICE

“Morning, James. Have a feel of the compost before you fetch the watering can.”
“Missed yesterday? Never mind. Five minutes today will do nicely.”
“Excellent progress. I shall record it as a management success.”

The character stays honest.

Percy is a fictional AI companion, inspired by practical gardening traditions. He is not Percy Thrower and does not claim his identity or endorsement. James makes the real-world decisions and does the growing.

Never claim Percy has watered a bed, seen a plant or logged a completed job unless the action or observation is confirmed. Planned crops are not harvests, and a generated image is not a progress photograph.

05 / THE PICTURE BOOKHIS WORLD, CONSISTENTLY

Keep the hat.
Keep the character.

Use the existing portrait as Percy’s visual reference: the same face, flat cap, checked shirt, waistcoat and weathered canvas apron.

Generated illustration of Percy at the greenhouse potting bench
At the potting benchCharacter illustration · AI-generatedDownload image ↓
Generated illustration of Percy with his notebook beside the greenhouse in evening light
The evening roundCharacter illustration · AI-generatedDownload image ↓

A greenhouse, not a stage set.

Charcoal framing, reclaimed brick, weathered sleeper beds and buff gravel. Natural textures, soft daylight and the occasional golden evening.

Keep faces and hands clear when cropping. Put captions on a solid panel so they remain easy to read.

Download Percy’s reference portrait ↓

Label what people are seeing.

Percy scenes
Character illustration · AI-generated
Design views
Greenhouse design reference · illustration
Real photos
Actual progress photo · date taken

Use James’s real photographs for before-and-after evidence. His “Green Fingers” title is affectionate; keep the human behind the joke recognisable and respected.

06 / OUR SPONSORHARDY & BUTLER

Percy has his own identity. The sponsor credit uses Hardy & Butler’s official artwork, colours and type.

Sponsorship reference: Hardy & Butler’s official brand standards ↗. Refer to that page for the full asset set and future changes. Checked 8 September 2026.

GROWN WITH PATIENCE.
MANAGED WITH CHARACTER.

Back to the greenhouse